Using scenes from Pillow Talk, Send Me No Flowers, and Lover Come Back, as well as some photos of Doris Day and Rock Hudson from their personal lives, this video mashup with Valley's track, 'Champagne' is dedicated to friendship, as well as the band and actors, of course.

"Your mother was a woman with no common sense, of course your father was a man without a conscience." Sometimes a movie comes out looking like fluff, and then you revisit it later and realize you just didn't have the taste for it yet. It's a classic with something to say. Or it's a beautiful scrapbook of a time you took for granted. Or it's just fun. In the case of Daisy von Scherler Mayer's 'Party Girl,' from 1995, its all of the above. By the end of this video, you should fully comprehend the The Dewey Decimal System. If not, please re-watch. By the way, don't you think Parker Posey is doing the proto-Carly-Rae-Jepsen pose in that cover art? The outfits in Party Girl as pretty CRJ, as well. Carly posts her music here: https://www.youtube.com/channel/UC-4NAdFIP6h9BmtGUFL94Pg Check the official trailer for Party Girl here: https://www.youtube.com/watch?v=9y-TvmzQ8qA For your entertainment, here are the misspellings I came up with for the metadata on this upload: parker posing , carly rae jetson, curly ray jepsin, jespin, parker possy, karl e. ray jetspin.

A dedication to Christopher Reeve as my generation's Superman, with Margot Kidder as his incredible Lois Lane. When it comes to Superman, you really can't do better than Christopher Reeve, or Henry Cavill. I feel lucky to have witnessed the two greats during my lifetime. Find BetaBlock3r's official music and videos here: https://www.youtube.com/@BetaBlock3r This video features 'City Ambiance (Kansas City)' by knufds -- https://freesound.org/s/345950/ -- License: Attribution 4.0

Featuring Jean Marsh, Piper Laurie, Emma Ridley as well as one of the earliest roles of the excellent Ms. Fairuza Balk. Felt this one quite intensely. I was already having visions of it on the bus home to edit this evening, and I couldn't make myself go to bed before I finished it. #FairuzaBalk #JeanMarsh #PiperLaurie

I decided to think more about cultural infatuation, rather than personal infatuation, in the context of the way we continue to fixate on Elvis Presley, and Marilyn Monroe. By pairing them in this video, I don't mean to imply that they had any type of relationship, as it is known they did not. I am using footage of both Elvis, and Marilyn together to emphasize the aspect of our culture that elevates celebrity to this type of status. So this edit can be more of a meditation on that, rather than a devotional video about a star. Get Infatuation by SG Lewis and over 1M + mainstream tracks here https://go.lickd.co/Music License ID: QqoawZj98Wx https://t.lickd.co/wgPWk67rKPD

Robert Zemeckis' 1992 dark comedy starring Meryl Streep, Goldie Hawn, Bruce Willis, and Isabella Rossellini is edited here to Jake Shears' track 'I Used to Be in Love' from his recent album, 'Last Man Dancing.' 💽 : https://www.youtube.com/@jakeshearsofficial 📼 : https://www.youtube.com/watch?v=ElXFI9A7vi0 I always thought 'Death Becomes Her' and 1988's 'Who Framed Roger Rabbit' were a very well-matched pair of Zemeckis films with a lot of overlapping themes. I sometimes wonder if he had some stuff left to get out of his system after Roger Rabbit. I made this edit because I like Jakes Shears and I figure he'd enjoy something like this. While I was working on it, I also noticed how many elements 'Death Becomes Her' shares with Noël Coward's 'Blithe Spirit,' which is a stage show I've loved since I was a kid. It is my opinion that the character of Charles is better played along the lines of Bruce Willis' Ernest, rather than the egomaniacal energy Rex Harrison brought to the role in the movie adaptation from the '40s. I've read he was horrible to work with.

I have fantasized about doing a fan edit from Season 1 of Claws for a while, but the song I needed just wasn't materializing until I remembered about this CD Single I drove to the mall to buy in 2004. Man, I really think the energy of the track and the show are a good match. As for the show, that Season will only ever become a more wonderful time capsule with age. The chemistry was wild and the comedy was great. This portrayal of a very particular slice of Florida is a well-observed comedic portrait. I probably watched the DVDs all the way through about 6 times. It's like one of my favorite movies, the way I remember it. Anyway, I tried Season 2 and got disheartened trying to warm up to another crime family, and bailed. I wish I hadn't. Maybe I'll pick up where I left off, soon.

💽 Parade of Lights: https://www.paradeoflightsmusic.com 📼 Pretty Woman: https://www.youtube.com/watch?v=L84RQH1xZvE The world of Garry Marshall's 'Pretty Woman' is centered around a heavily idealized version of LA that I believed was absolutely real back in 1990. That’s also what makes it a perfect relief from the tribulations of these truly awful ‘20s. I have to be careful not to slip into a mindset of "things were just so much better back then." Within the confines of my video escapism practice, I allow it. I've heard a few different times that Pretty Woman was originally written under a different title, to be a grittier and more honest depiction. I'm glad it changed in this case, to become the fairy tale that it is. Parade of Lights' song "In My Head" is from 2018, amazingly. Listening today you could swear it's about... well, everything that's happened since then. Sonically it's an awesome match for Pretty Woman, and to me the pairing makes it about my mental state when I'm editing these videos late at night after work, enjoying the escapism of the manicured past.

Find more music from NEWCOAST here: @NEWCOAST I saw this version of Great Expectations in theaters, when it was new, with some friends in Alabama. The Southern Gothic portrayal of Sarasota, Florida was absolutely thrilling to us, because we'd never seen our own neck of the woods painted with that much camp and style. It did resonate with truth, though. Later, I found similar from Truman Capote's 'Other Voices, Other Rooms.' As I've aged, I've come to feel very warmly about this record of Ethan Hawke and Gwyneth Paltrow with MORE than a supporting role from Anne Bancroft, giving us Dark Auntie Mame as Ms. Nora Dinsmore. I know Alfonso Cuarón does not maintain a fondness for his own creation, here, but from what I read online many do feel it has aged surprisingly well. I'm always up for a rewatch.